75th Annual Juried Members’ Exhibition
Jul 31-Oct 3, 2021
BEST IN SHOW | Robert Marcum | THE CAT DREAMS OF POUNCING | Oil and colored pencil on canvas | 21 x 28” | 2021
SECOND PLACE | Aileen Cave | CARMAZZI'S | Watercolor and fluid acrylic on paper | 46 x 31” | 2019
THIRD PLACE | Nathan Conner | JAZZ MAN | Acrylic painting on marble paper | 16 x 20” | 2021
Honorable Mention | Jerry Womacks | SEGMENTED TURNING | Recycled beach, walnut, maple and boxwood | 13 x 25” | 2020
HONORABLE MENTION | Tess Little | PAGODA | Rusted steel | 108 x 40 x 24” | 2018
HONORABLE MENTION | Kim Ceccarelli | DISCOVERY | Pastel | 30 x 25” | 2021
Paula Womacks | MOONLIGHT GARDEN | Dry felt, wet felt, nuno felt, fabric, embellishments | 72 x 56” | 2020
Jean Koeller | INTERIOR LIGHT | Oil on paper mounted on panel | 29 x 21” | 2020
Jean Koeller | SPRING LIGHT | Oil on paper mounted on panel | 24 x 35” | 2020
Annette Eshelman | MOMMA'S RELIQUARY | Mixed media | 20 x 34” | 2018
Jennifer Haack | TREE | Mixed | 46 x 34” | 2018
Erin Evans | THREE SISTERS BLOOM | Gloss color print paper, white mat, wooden frame with gold gild | 11 x 15.5” | 2020
Jason Morgan | NEWS OF THE WORLD | Acrylic on canvas | 30 x 24” | 2021
David Morris | MOONCHILD | Oil on panel | 9 x 12” | 2019
Kara Cunningham | INTROSPECTION | Matte photograph | 16 x 24” | 2021
Kelley Booze | DICHOTOMOUS DIPTYCH | Oil on canvas | 24 x 36” | 2020
Michele BonDurant | SUMMER | Acrylic painting, cut paper | ” | 2021
Michele BonDurant | SELF PORTRAIT 2021 | Acrylic painting, cut paper | 12 x 12” | 2021
Judith Ann Sigmund | SANTA MONICA, 1978 | Watercolor on paper | 29.5 x 20” | 2020
Tess Little | MOONSCAPE | Rusted steel, stainless steel | 108 x 60 x 24” | 2020
Kim Vito | WARNER NATURE STUDY VI | Lithograph | 11 x 17” | 2021
Dustin Wagner | NESTED DESERT DEATH BLOOMS | Glass | 12 x 12 x 9” | 2020
Patricia Robinow | PLUMS & ORANGE | Watercolor | 8.25 x 11.75” | 2021
Gary Birch | DERSU | Mixed media | 27 x 10 x 10” | 2021
Heidi Kirkpatrick | GRANDMA (ANGELA ROODEN COOPER HOWARD) | Film positive, vintage book page, graphite, glue, paint, and resin housed in a metal tin | 7 x 11.5 x 2” | 2015
Heidi Kirkpatrick | MAH JONGG SET 33 | Film positives on vintage Bakelite mah jongg tiles displayed on vintage scrabble rack | 1.25 x 7 x 1” | 2021
Suzi Hyden | SPRING BOTANICALS | Watercolor paper, cyanotype, coffee toning, cold wax medium, waxed cord, metal fencing | 26 x 19” | 2021
Suzi Hyden | PURPLE SALVIA | Watercolor paper, cyanotype, cold wax medium, waxed cord, metal fencing, dogwood branches | 29 x 25” | 2021
Babs Janko | STILLIFE WITH BANANA | Midrange clay sculpture – underglaze, glaze, paper | 5 x 11” | 2020
Babs Janko | AND THE PRIZE GOES TO | Midrange clay, underglaze decoration, and glazes | 4.5 x 7” | 2020
Jim Dicke II | 6-7-2018 | Acrylic | 61.5 x 61.5” | 2018
Brian Williams | SOMNAMBULOCETUS (SLEEPWALKING WHALE) | Graphite and colored pencil on toned paper | 10.25 x 6.55” | 2019
Douglas Taylor | BARE TREES | Photograph – Pigment Ink on Hahnemuhle Photo Rag Ultra Smooth paper | 22 x 28” | 2020
Dave Levingston | NEVADA RED ROCK | Archival pigment print | 20 x 16” | 2018
Karen Crist | ABIQUI VISTA | Magazine clippings on mat board | 11 x 13,5” | 2020
Barbara Edwards | LILA | Oil | 18 x 24” | 2020
Barbara Edwards | SCHOOL DAYS | Photo | 23.125 x 17” | 2019.jpg
Marlies Hemmann | RESTING | Photography printed on aluminum | 14 x 12” | 2020
Marlies Hemmann | UNTITLED | Photography on aluminum | 24 x 18” | 2020
A magical moonrise over Sedona Arizona featuring a spire which rises between the buttes. The formation is known as Cathedral Rock, which also serves as one of Sedona’s energy vortex sites. As visitors explore this point of interest, many perceive a concentration of mystical energy which promotes Jeff Smith | SEDONA MOONRISE OVER CATHEDRAL ROCK | Framed Giclee canvas print | 20 x 32” | 2020
Bill Franz | SUMMER IN THE CITY | Dye sublimation on aluminum | 20 x 20” | 2021
Bill Franz | FRED AND PEGGY AT THE BEACH | Dye sublimation on aluminum | 20 x 20” | 2021
Robert Furia | AFTER THE HUNT IV - 'SEPTEMBER SURPISE.' | Wood carvings painted in acrylics | 31 x 36 x 7” | 2019
Shannon Grecula | IRIS YOU WOULD HAVE TOLD ME | Acrylic on canvas | 24 x 30” | 2021
Shannon Grecula | LAST DAY OF SUMMER | Acrylic on canvas | 24 x 36” | 2020
Michele Hamsher | A BEAUTIFUL SUMMER DAY | Watercolor | 16 x 20” | 2021
Martha Barnes | EARLY MORNING FLIGHT | Photograph | 13 x 10” | 2021
Robert Agle | CABO SUNRISE | Soft pastel | 24 x 30” | 2021
Brian Ballenger | BANDELIER | Oil on canvas | 34 x 30” | 2019
Brian Ballenger | HARTLEY FRAGMENT JOTHAMS ISLAND OFF INDIAN POINT GEORGETOWN MAINE | Oil on canvas | 22 x 14” | 2020
Robert Morris | COLLABORATIVE CANDLE HOLDER | Hand-carved glazed stoneware | 6 x 5.75” | 2021
Leslie Morris | TALL DISTORTED VASE | Glazed stoneware clay | 4 x 6 1.5” | 2021
Leslie Morris | DISTORTED VASE WITH RIM | Glazed stoneware clay | 5.5 x 5” | 2021
Kristin Morris | ARMORED RHINO | Mixed media – ceramic, metallic paint, gears, gauges, metal, oxides | 22 x 10 x 15” | 2020
Kristin Morris | CARROTTOP | Mixed media – ceramic, underglazes, found objects | 25 x 12 x 8” | 2020
Margaret Morgan | THE WAY I SEE IT (OLD HAVANA BY JUAN-SÍ GONZÁLEZ) | Acrylic on canvas | 36 x 36” | 2020
Elizabeth Beecher | HEADING WEST | Oil | 9 x 12” | 2019
Martha Barnes | PAT'S RED BARN | Photograph | 7.5 x 16.5” | 2021
Elizabeth Beecher | SUNSET ON A FEBRUARY FLIGHT | Oil | 9 x 12” | 2020
Robert Marcum | THE AULD GODS IN THE SHOWER | Digital photograph | 22 x 39.5” | 2021
Susan Chiles | COLUMBINE AT THE BACKYARD WILDLIFE HABITAT | Paper/photograph | 8 x 10” | 2019
Deidre Lucas | ROOTED IN TIME | Oil on canvas | 28 x 34” | 2021
Jennifer O'Brien | TWO KITTIES | Acrylic collage | 48 x 20” | 2020
Lauralee Sikorski | UNTITLED | Mixed media | 48 x 56” | 2019
Ron Rollins | UNTITLED | Acrylic on canvas | 40 x 30” | 2021
Ron Rollins | UNTITLED | Acrylic on canvas | 40 x 30” | 2021
Holly Ruggles | AMUN RA | Mixed media – watercolor, collage, printmaking | 40 x 30” | 2021
Steven Purdon | COLORADO MONUMENT | Watercolor | 18 x 22” | 2020
Steven Purdon | PRIVATE GARDEN | Watercolor | 13 x 10” | 2018
Linda Phillips | AFTERGLOW, SAVANNAH SUNRISE | Archival ink on paper, gesso board, mixed media | 12 x 12” | 2019
Linda Phillips | ROOT BEER STAND, INDIAN LAKE, OH | Archival ink on fine art paper | 14 x 18 x 1” | 2020
Jennifer O'Brien | FLORAL CAT | Acrylic collage | 22 x 24” | 2020
Margaret Tabor | MACHU PICCHU, DAWN, DUSK | Black and white print (printing press) | 15 x 151.5” | 2020
Thomas Suter | REDUX #20 – ORI-GENE I | Mixed media – acrylic, mica, carbon, gold leaf on canvas | 60 x 43” | 2020
Jan O'Dea | PAR | Gouache, pastel, collage on paper | 42 x 31” | 2020
Jan O'Dea | A CAN OF WORMS | Gouache, pastel, graphite on collage print | 25.5 x 35.5” | 2019
Abbi Hurst | UNTITLED | Oil and yarn on canvas | 36 x 48” | 2021
Cynthia Smith | MYTHIC MISCHIEF | Drawing | 15 x 24” | 2017
Cynthia Smith | WHITE BUFFALO | Color pencil on paper | 10 x 12” | 2017
Melanie Stanley | LISTEN TO ME | Acrylic, Mixed Media | 40 x 30” | 2021
Melanie Stanley | END OF THE BLUES | Acrylic/Mixed Media | 36 x 24” | 2021
Tia Acheson | WHERE MANY PATHS AND ERRANDS MEET | Latex paint on board | 16 x 22” | 2019
Tia Acheson | NESTING INSTINCT | Latex paint, wood, found objects | 11 3/4 x 11 3/4” | 2021
Wing Na Wong | SPARROW 2 | Oil on steel | 6 x 6” | 2021
Wing Na Wong | BRIDE | Oil on linen | 20 x 16” | 2019
Adam Brouillette | ALL THE SIGNS WERE THERE | Latex paint on canvas | 26 x 50” | 2021
Lynda Pauley | COFFEE LINE | Pastel on paper | 20 x 18” | 2020
Lynda Pauley | THE MEADOW SHADE STUDY | Oil on canvas | 12 x 16” | 2020
Julie Riley | TULIP FARM, SASSENHEIM NETHERLANDS | Acrylic on canvas | 36 x 24” | 2021
Robine Wright | BUDDIES | Oil painting | 22 x 29” | 2021
Lee Zajis | PSALM 42 | Painted rice paper on canvas | 40 x 16” | 2021
Karen Fisher | LOSING MY LEAVES | Mixed media and acrylic on masonite | 39 x 29” | 2021
Eric Anderson | 105 N CENTER ST. | Semi-gloss print | 20 x 16” | 2021
Eric Anderson | LIFEGUARD STATION | Semi-gloss photo | 16 x 20” | 2021
Audrey McKanna | GRANDPA'S BARN AND SADDLE | Oil on canvas | 16 x 20” | 2021
Kevin Kampman | ALLPHASE | Photographic print | 12 x 8” | 2021
Linda Cabaluna | POUR 2 | Acrylic on canvas | 16 x 20” | 2021
Michael Gummer | SUBLIMINALLY SUBLIME | Mixed media on canvas | 8.75 x 11.75” | 2020
Mikee Huber | YOU CAN DO MAGIC | Acrylic, interference, and iridescent paints on gallery wrapped canvas | 30 x 30 x 1 .5” | 2021
Mikee Huber | YOU ARE THE SUN, YOU ARE THE RAIN #2 | Glitter, acrylic, and iridescent paints on gallery wrapped canvas | 36x 24nx 1.5” | 2021
Diana Hoke | SUMMER'S FLOWER | Watercolor | 14 x 11” | 2021
Jimi Jones | WAITING | Oil on canvas | 36 x 24” | 2020
Bonnie Kuntz | MIDNIGHT RUN | Mixed water media | 25 x 32” | 2019
Jan Lendino | SHAPE SHIFTING | Mixed media | 24 x 18” | 2020
Rob Liptak | PEACE | Black walnut, alder, redheart, lemon, and basswood | 9 x 8 x 1” | 2021
Cheri Clem | BLUE MEADOW | Paint and fabric on board | 24 x 48” | 2020
Denise Roberts | SUNSET IN BARCELONA | Mixed media | 25 x 37” | 2021
Barb Weinert-McBee | SOUTH CAROLINA | Wood relief color reduction method on paper | 11 x 14” | 2020
Barb Weinert-McBee | 4TH OF JULY ON THE FARM | Wood relief color reduction method on paper | 15 x 14” | 2021
Lauralee Sikorski | UNTITLED | Oil ink on artist board | 16 x 20” | 2018
Elizabeth Wetterstroem | 3.2 MILES IN MOAB, UT | Linocut on paper | 4 x 6” | 2019
Michael Gummer | FANTASY LANDSCAPE | Watercolor on gessoed arches | 14 x 20” | 2017
Linda Daniels | POGO | Acrylic on canvas | 8 x 10” | 2020
Patricia Hrivnak | HIDE AND SEEK | Oil on primed linen | 14 x 11” | 2020
Alyssa Owens | THE TWO SIDES OF CHOICES | Paint and canvas | 16 x 20” | 2021
Evelyn Mahrt | INDEPENDENCE DAY | Oil | 15.5 x 18.5” | 2019
Nathan Conner | POWER OF LOVE (FRONT LINERS COVID SERIES) | Acrylic | each 20 x 16” | 2021
Daniel Kelly | TIGER LILY TEA | Oil paint on canvas | 24 x 18” | 2020
Daniel Kelly | LOST IN THE PAGES OF MY IMAGINATION | Oil paint on canvas | 30 x 24” | 2021
Karen Fisher | WRIST WATCH FOR THE JOURNEY | Mixed media and acrylic on canvas | 36 x 36 x 1” | 2021
Susan Wolf | SPONGE BOB CLAY BOX | Acrylic on canvas | 36 x 24” | 2019
Susan Wolf | PAPER DRAGON | Acrylic on canvas | 36 x 60” | 2019
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The Springfield Museum of Art is thrilled to celebrate the 75th anniversary of the Juried Members’ Exhibition this summer. Featuring artists both local and from around the country, this year’s exhibition truly encapsulates the diverse experiences and people that comprise the Museum’s current membership. We are so thankful to artists both past and present who have contributed to the exhibition’s success year after year.
About the Exhibition
» This year’s exhibition features 122 pieces of art by 87 artists.
» Artists in this year’s show are from many states including Ohio, Arizona, Colorado, Connecticut, Indiana, Illinois, and Oregon.
» The founding exhibition, held at the Woman’s Town Club, opened on March 1, 1946. Inspired by the exhibition’s success, participating artists formed the Springfield Art Association later that month, which ultimately grew into the Springfield Museum of Art.
» From a letter written to members in 1968: “[The Member show] provides a time when each and every member can exhibit [their] work regardless of the length of time [they have] been creating or [their] ability in relation to others…its highest significance is to honor members of the Springfield Art Association who have given most generously of [their] time and talents to promoting art in our area.”
View all the audio guides for the exhibition here »
About the Juror
As a Smithsonian Affiliate, we are so fortunate for the opportunity to have Joann Moser as this year’s juror for the 75th Juried Members’ Exhibition. Moser is a Senior Curator Emerita from the Smithsonian American Art Museum. Prior to her Emerita status, she served as the Senior Curator of Graphic Arts from 1986-2016.
She received her Ph.D. and M.A. in Art History from The University of Wisconsin, Madison.
Juror’s Statement
It is challenging to select an exhibition from computer images, and even more difficult to award prizes. I chose the prizewinners once, then again, and finally a third time with new selections each time. I was very impressed with the wide variety and high quality of the works of art submitted for this exhibition. Unlike some regional shows in which the influence of a single teacher or style dominates, the entries included a broad range of styles, interests, techniques, and expression. I can only assume that the Springfield Museum of Art and other nearby museums have provided the inspiration for this
wellspring of creativity.